Charles Lyons, king of forty feet square,
watches the world walk by his garret,
dropping ashes and muttered phrases
on the heads of those fools who know
nothing of sacrifice, art, and everything
of comfort and wealth; cursing the system
that makes no concession for dreams and vision.
Each morning he paints an abstract,
Blood and mucous on white hanky no. 17,
stirs the ashtray’s pallet, seeing the clouds
reflected there, and draws
the shades against the sun
before sitting to compose long letters
full of withering phrases
he would be sure to write
had he the money for the stamps,
denouncing his parents in no uncertain terms
for their lack of support and love,
their thickheaded refusal to understand
his heroic sacrifice for art, which the world
could neither know nor support.
Charles Lyons, king of unpaid bills
and withering glances no one sees,
wraps himself in his mother’s quilt,
coughs, and drinks his next step
on the martyr’s path, a dusty way
across a barren land devoid of feature.
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